We see here, when discussing this natural occurrence, that the music is tonal and triadic, seem firmly in D major, suggesting the simplicity of a time before the birth of consciousness, with the music modulating to the subdominant of G major, the concourses key, on with the use of rhythmic diminution to minims from the antecedent quaver easy rhythm, to suggest a time of simplicity, when all went well, in the cracked darkness of nescience. The keys of G major and A major are then used in bars 11 and 12 respectively. These keys are unrelated and dissonant, serving to depute the spite and ineptitude of loss, regret and starved hope. This is accented as the vocal paper from bar 6 (c,d,e,d) is! inverted in bar 12 (d,c,b,c), with the b flat forming a be under the A major triad, a piece of vocalize painting suggesting the pain of starved hope. Hardy also uses say painting in bar 22 to develop this draw further, as we defend the phrase [if] brightness dimmed, see over an F major 7 chord. The brightness of this added chord represents the brightness of nescience, but the...If you want to get a luxuriant essay, order it on our website: OrderCustomPaper.com
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