Great Gatsby

Wide c every(prenominal) forth and hallucinationing Hanna Chait T. E. Lawrence evidenced All hands resource, merely non equally. Those who hallucination in the dusty recesses of their consciousnesss, wake in the day to find that it was actors assist ant simply the ambitiousnessers of the day ar dangerous men, for they may act on their dreams with open eyes, to make them possible. In The bang-up Gatsby, the central theme is realizing that creating your experience dreams and living in your reality is extremely different.myrtle dreamt of having m iodiney, up to promptly k parvenu tomcat would neer recant Daisy, Gatsby dreamt of being with the Daisy he created, plainly realized she had changed, and Daisy dreamt of being in cheat and being with Gatsby, however would NEVER come emerge Tom. myrtle Wilson be roostves peerless thing in carriage, capital. She lives in the valley of ashes, the desolate and barren primer coat that cunnings among Long Island and New York. She necessitys nothing more than to become wealthy, leave the valley of ashes, leave her husband, and become a ebullient vapid scalemaker ilk she al itinerarys dreamt of being. I matrimonial him because I thought he was a gentle hu gayity, she said finally. I thought he knew roughlything active breeding, besides he wasnt fit to lick my shoe Myrtle remarked of her kinship with George. She pauperismed so badly for him to be any(prenominal)thing else, someone with severalise.She wanted a perfect, wealthy man of high well-disposed standing. Myrtle discussed her wedding day to George, The that crazy I was, was when I marital him. I knew decline forth I do a mistake. He borrowed somebodys go around suit to get married in, and neer tear d give told me astir(predicate) it, and the man came after it one day when he was out. Myrtle was embarrass and almost disgraced intimately the fact that George didnt get married in a suit he bought for himself-import ance. Myrtle said she knew good a right smart she made a mistake, so the interrogative sentence was why did she go by means of with it in the first place? Thats why Myrtle has Tom though he was her fulfilment, her fortune, though in reality they would never au accordinglytically be unitedly. Tom was with Daisy and that is how it was going to stay, Tom would never truly recognise a woman from the valley of ashes. This was k straight offn because of the elaborate lie Tom constructed approximately why he exit never leave Daisy because she is a Catholic, when in fact she is not.Just as Myrtle was creating a insincere sense of her relationship with Tom, Gatsby was doing the same with Daisy. Jay Gatsby had a dream, his dream was of the Daisy he met and bestial in issue with five geezerhood ago. He dreamt of Daisy admitting that she never love life Tom, that way they would finally call for been subject to run off together to the life that he erst piece knew. He dreamt of a future, the future he knew they were meant to have from the day he met her. He wanted nothing less(prenominal) of Daisy than that she should go to Tom and say I never love you. after(prenominal) she had obliterated four years with that sentence they could decide upon the more pragmatical measures to be taken. angiotensin converting enzyme of them was that, after she was free, they were to go butt to Louisville and be married from her star sign effective as if it were five years ago. When Gatsby finally had Daisy he realized that t here(predicate) was no longer a dream, he had what he wanted. He soon finds himself asking has my dream changed, or has Daisy changed? Gatsby first sight this when he had Daisy over, that she was no longer the whimsical 18-year-old Daisy Fay of Louisville, Kentucky that he once knew, that he grew to love.There must(prenominal) have been moments even that afternoon when Daisy tumbled short of his dreamsnot by dint of her sustain fault but becau se of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thr confess himself into it with a creative passion The order of this realization was that Daisy was not the same Daisy she once was five years ago she had changed. This hurt Gatsby, it woke him up from the fantasy he was living in and showed him that although the love remained the same the girl was no longer the same.Though Gatsbys dream of Daisy had existed for the noncurrent five years, Daisys dream of being with Gatsby had notwithstanding just been markd, and she could not decide if it is something she truly wanted or if it was just something to make her happy. She had only just reconnected with Gatsby after five years, at a tea tick up by cut off and Gatsby. As Daisy went to say goodbye to Gatsby at the end of the tea, she whispered something in his ear and Gatsby was filled with a speed of emotions. As watched him he adjusted himself a little, visibly.His hand took hold of her s, and as she said something low in his ear he glum toward her with a rush of emotion (103). This is where the reader begins to guarantee a new Daisy, a Daisy that wanted to be with Gatsby, and had a general need to feel love. posterior on she was forced to identify what her true feelings were just about Tom and Gatsby, she was told to state the claim that she never loved Tom, but she found herself only able to say that she no longer loves him, but she DID at one eon love him. Oh, you want too more than she cried to Gatsby. I love you now isnt that enough? I cant help whats past. She began to sob helplessly. I did love him once but I loved you too. Daisy proclaimed this to Gatsby, as he begged her to admit she never loved Tom, she therefore proceeded to ask Tom to take her main office. Thus ending her dream and Gatsbys, she wants to be with Gatsby and she wants to be loved, but she knows Tom is the life she is meant to have. Daisy loves her bills and her place in socie ty too much to actually feel loved this is something that forget never change. The great(p) Gatsby by F. Scott Fitzgerald delves into a world of dreams and fantasies, as easy as vast realizations of what life is really like.Myrtle wanted nothing more than to live in a society she feels she truly belongs in, and to be wealthy, but deep d sustain(a) as painstaking as it was to admit she knew she could never have Tom. Gatsby wanted to be with the Daisy he knew and loved five years ago, a dreamlike Daisy of 18 years of age, but the Daisy he meets once more has changed. Lastly Daisy wanted nothing but to be loved and be happy, but she knew she loved her money and life too much to let herself be happy. This is how The slap-up Gatsby shows us how dreams can hurt you much more than the realty you atomic number 18 living in. capital GatsbyThis extract establishes two the physical and exemplary set of the setting in the bang-up Gatsby by F. Scott Fitzgerald. It also provides us with the traits of the characters in the smart in relation to the thematic focus. The setting is also symbolic of Fritzgeralds satire of 1920s New York life style , particularly emphasizing on the American dream , social class and money. Prior to the extract, cut begins by commenting on himself, stating his qualities tolerance and tendency to hold in judgments as one of them. In the summer of 1922, Nick Carraway has just arrived in New York and is living in a part of Long Island know as wolfram pelt.Fitzgerald establishes Nick Carraway as an impartial bank clerk but not a passive one. From the refreshfuls opening paragraph onward, this will tolerate create an internal conflict for Nick himself. Because despite the fact that Gatsby represents all that Nick despises, Nick cannot help but admire him. Geographically, the differences of the upper classes atomic number 18 symbolized by two residential areas of Long Island, New York Twenty miles from the city a pair of enormous eggs , identical in contour and marooned by a courtesy bay, jut out into . . . Long Island Sound. . . n arresting phenomenon is their dissimilarity in every particular except public figure and size. Fitzgerald continues to emphasize the social di sights betwixt the two musket balls and their inhabitants with colorful imaging which develops symbolic significance. Nick lives in Long Island in what is known as the westerly Egg. The West Egg is located across the bay from the tocop friendl Egg. Nick, after describing his area as the less fashionable of the two, continues to confess that this is a most superficial tag to express the bizarre and not a little sinister contrast between them. The relationship between geographics and social value is an important motif in The slap-up Gatsby. distributively setting in the smart corresponds to a particular thematic subject or character type. This extract introduces the two most important settings in the novel, eastbound Egg and West Egg. Even though each is home to the wealthy they are separated as Nick says by a courtesy bay, the two regions are opposite in the values they uphold. eastern hemisphere Egg represents taste, and aristocracy piece West Egg represents pageantry and the flashy manners of the new sizeable.East Egg is associated with the Buchanans and the monotony of their inherited social position, while West Egg is associated with Gatsbys gaudy mansion. Nick is attracted to the fast-paced lifestyle of New York. But it is contradictory because he also finds that lifestyle grotesque and damaging. This inner conflict is symbolized throughout the book by Nicks romantic affair with Jordan baker. He is attracted to her vivacity and her sophistication just as he is repelled by her dishonesty and her lack of consideration for separate batch.The aid contrast is between the city scenes and the suburban ones. Like Nick Carraway, Tom Buchanan and Jay Gatsby commute into the city for their respective lines of work. The women are left behind. This geographical set out is also a gender borderline. But the city is important in other ways, too Tom only interacts with his mistress in the city, and Gatsby only sees Meyer Wolfsheim there. They both use the city to hide their goings-on from the people they value on Long Island. The setting in the Great Gatsby is closely related to the theory of the American reverie in the novel.The American dream was originally about discovery, individualism, and the pursuit of happiness. In the 1920s depicted in the novel, however, easy money and relaxed social values have change this dream, curiously on the East Coast. One of the major topics explored in The Great Gatsby is the sociology of wealth, specializedally, how the the new rich are segregated from the old aristocratic rich who live on the East Egg In the novel, West Egg and its denizens represent the newly rich, while East Egg and its denizens, especially Daisy and Tom, represent the old aristocr acy.Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste. Gatsby, for example, lives in a monstrously ornate mansion, wears a pink suit, drives a Rolls-Royce, and does not soak up on subtle social signals, such as the falsity of the Sloanes invitation to lunch. In contrast, the old aristocracy possesses grace, taste, subtlety, and elegance, epitomized by the Buchanans tasteful home and the menses white dresses of Daisy and Jordan Baker.What the old aristocracy possesses in taste, however, it seems to lack in heart, as the East Eggers conjure themselves careless, inconsiderate bullies who are so used to moneys ability to ease their minds that they never worry about pain sensation others. The Buchanans exemplify this stereotype when, at the end of the novel, they simply move to a new house far away rather than condescend to check Gatsbys funeral. The setting in the Great Gatsby is closely related to the model of the Ame rican fantasy in the novel.Daisy is in love with money, ease, and material luxury. She is confident of affection (she seems genuinely fond of Nick and occasionally seems to love Gatsby sincerely), but not of sustained loyalty or care. She is indifferent even to her own infant daughter, never discussing her and treating her as an afterthought when she is introduced in Chapter 7. In Fitzgeralds fancyion of America in the 1920s, Daisy represents the amoral values of the aristocratic East Egg set.Great GatsbyCharles de Montesquieu says that to become truly great, one has to stand with people, not higher up them. Throughout F. Scott Fitzgeralds novel The Great Gatsby , protagonist Jay Gatsby progresses as a hero through his dedication for love, his new-fangled dreams, and his Christ-like look-alike. His passion for love reflects in his brilliance for he proves commitment, dedication, and a loving soul for others. Jay Gatsby lives the model of the American pipe dream in a new-fa shioned and nethertaking way. Extravagance combined with dreams for victory comes greatness.Gatsby also is considered a vision of Jesus Christ as the novel uses different biblical allusions to prove his greatness as a relatable leader. Jay Gatsbys dedication and commitment for love makes him a hero, yet most of others discover to see his greatness. Gatsby dedicates his life to fulfilling his dream of his lost love Daisy Buchanan. He yearns for her love and believes in the green light across the bay (Fitzgerald 25). This is the first prison term narrator Nick Carraway begins to see Gatsbys other side and realizes his relish for the one he truly loves.The green light embodies his vision of desire forcing Gatsby to fashion a reality of his own to correspond to the dream (Weinstein 8). He must accomplish his dream in his own way, work with the bunch given at hand. Gatsby stretched out his hand desperately as if to ginger snap only a wisp of air, to save a fragment of the spot tha t she had made lovely for him (Fitzgerald 33). Gatsby is committed to her love and desires NOTHING more than her simple love. Daisy says to Gatsby, We havent met for many another(prenominal) another(prenominal) years.Gatsby quickly responds Five years next November (Fitzgerald 87). Gatsby knows the exact employment of their last meeting, proving his dedication toward the building upon the relationship. Gatsby is attracted to Daisy for purely idealistic, romantic, and even metaphysical reasons none of it is for money (Mellard 4). He loves Daisy for who she truly is and never gives up in his expedition to pursue a mutual love. Gatsby is profoundly kind, always seeing the best in people, or, what is better, seeing them as they see themselves (Mellard 2).He reaches people cut down to their level even within his own greatness even legal transfer out the best in others. Jay Gatsby devotes his life to love of others and the dedication of engage it. Jay Gatsby lives and thrives in hi s young of being the American Dream. Simply put, Gatsys home is expound as being a factual fake of some Hotel de Ville in Normandy, with a tower on one side, spanking new to a lower place a thin beard of raw ivy, and a marble smooth pool, and more than forty acres of lawn and garden (Fitzgerald 9).Gatsbys lavish home is wanted by majority of Americans. Nick explains how his eyes fell on Gatsby, standing alone on the marble steps and looking from one group to another with approving eyes at his own luxurious, well-attended parties (Fitzgerald 50). Everyone attends Gatsbys extravagant parties wether invited or not. He looks at all of his guests identically with appeal. Gatsby has a fabulous career and yet, is humble in himself, for he is the two-base hit of the classic American Dream (Weinstein 5). Gatsbys ability to be able to stay humble yet successful is heroic.Gatsbys life is full of enchanted objects aspiring to be the youthful man of many dreams (Fitzgerald 93). Gatsbys yo uth is found through his dreams of love and hope of life and happiness around him. Gatsbys youth leaves an result of interminability (Mellard 2). His dreams prolong as his youth stays forever. Gatsby is forever young. Simply said, The Great Gatsby is the picture of the American Dream (Weinstein 1). The American Dream is all about achieving greatness in a self-inflicted way like as Jay Gatsby.Gatsby would not be able to achieve such greatness without the core values of a humble leader whom dominates his own dreams of youth. The character of Gatsby has a apparitional entity that brings him closer to the vision of the Son of God. The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic predilection of himself. He was a son of Goda evince which, if it means anything, means just thatand he must be about His Fathers business, the service of a vast, vulgar, and insolent beauty.So he invented just the sort of Jay Gatsby that a seventeen year old son would be li kely to invent, and to this construction he was faithful to the end (Fitzgerald 104). Gatsby is the American Adam throughout the novel. He acts as the biblical Adam while fulfilling the spot of the American dream. Gatsby is described as having a heightened sensitivity to the promises of life (Fitzgerald 6). Like the Son of God, Jesus Christ, he has promises for the coming life in order to live out his greatness apart from his own senses.Gatsby brings life to the others around him, bringing out the best in people, giving the idealistic smile of admiration nevertheless he is the incarnating God (Mellard 12). Nick describes Gatsby when observation him upon first meeting as he stretched out his arms toward the down in the mouth water in a curious way, and far as I was from him I could have sworn he was trembling (Fitzgerald 25-26). Jay Gatsby is like a Christ-figure as a scapegoat (Mellard 9). Similar to Jesus Christ, Jay Gatsby would place appoint upon others on himself, for he desi res nothing more than love. In conclusion, F.Scott Fitzgeralds novel The Great Gatsby , protagonist Jay Gatsby progresses as a hero through his dedication for love, his youthful dreams, and his Christ-like persona. His passion for love reflects in his greatness for he proves commitment, dedication, and a loving soul for others. Jay Gatsby lives the model of the American Dream in a youthful and undertaking way. Extravagance combined with dreams for success comes greatness. Gatsby also is considered a vision of Jesus Christ as the novel uses different biblical allusions to prove his greatness as a relatable leader.Jay Gatsbys dedication and commitment for love makes him a hero, yet most of others fail to see his greatness. Jay Gatsby lives and thrives in his youth of being the American Dream. The character of Gatsby has a spiritual entity that brings him closer to the vision of the Son of God. His passion for love reflects in his greatness for he proves commitment, dedication, and a loving soul for others. Jay Gatsby lives the model of the American Dream in a youthful and undertaking way. All in all Jay Gatsby proves his greatness well.Great GatsbyGreat GatsbyGatsby The False prophet of the American Dream The American dream, or myth, is an ever recurring theme in American literature, go out back to some of the earliest colonial writings. Briefly defined it is the belief, that every man, whatever his origins, may pursue and attain his chosen deaths, be they political, monetary, or social. It is the literary expression of the concept of America the land of opportunity. F. Scott Fitzgerald has come to be associated with the concept of the American dream more so than any other generator of the country.In fact, the American dream has been for Fitzgerald what the theme of the separate peace has been for solemn Hemingway the central point or building block for much, if not all, of his work. However, Fitzgeralds extraordinary expression of the American dream la cks the optimism, the sense of fulfilment, so unmingled in the expressions of his predecessors. Cast in the framework of the metaphor, the aforementioned exponents of the American dream were superannuated Testament prophets predicting the coming of the golden age, complete with a the Nazarene who was to be epitome of the word American. Gatsby is Fitzgeralds answer.To Fitzgerald the long prophesied American dream had its fulfillment in the orgiastic post World War I percentage point was known as The Roaring Twenties. He was the self-appointed spokesman for the bop sequence, the term he takes credit for coining, and he gave it its arch-high priest and prophet, Jay Gatsby, in his novel The Great Gatsby. Gatsby is aptly suited for the externalize of arch-high priest because he is the persona and chief practitioner of the hedonism that marked this period. He is also its unwritting prophet, for his sorrow and destruction serve as a portent for the passing away of an era.The i mplication that The Great Gatsby may contain religious implications is not a new idea. Bernard Tanner sees it as a Jazz Parody, The creed of Gatsby. Gatsby is characterized as an upside-down Christ in this drama, and the rest of the dramatis personae are neatly fitted in, maybe too neatly, to this allegorical framework. To wit Nick Carraway is Nicodemus, the Pharisee Dan Cody is St. John the Baptist with his femme fatale , Salome, in the make-believe of Ella Kaye and Meyer Wolfsheim is St. Peter complete with three denials.These characters, plus others, act out their split in the evangel, carrying out such events as the marriage counterpane at Cana, various parables, Judas betrayal, and Christs crucifixion. A. E. Dyson maintains, that Dr. T. J. Eckleburg is the only religious reference in this novel. Roger L. Pearson doesnt match with these two interpretations. He believes that Fitzgerlad is much like Hemingway in his symbolic technique in The Great Gatsby, in that he projec ts a serial publication of variations in his imagery so as to achieve a additive effect.Fitzgerald becomes at times orthodox and formulistic to a degree in this novel. However, he achieves a totality of expression by introducing motifs that give the reader a meagerly differing perspective of Gatsby, while always moving in a detail direction. Hence, Gatsby is no shallow stereotype. Instead, he has depth and complexity. There is a religious design in The Great Gatsby, and it has its basis in Jay Gatsby himself. Nick Carraway, the narrator and interpreter of the novel, describes Gatsby thus The truth was that Jay Gatsby of West Egg, Long Island, sprang from his Platonic conception of himself.He was a son of God-a phrase which, if it means anything, means just that-and he must be about His Fathers business, the service of a vast, vulgar, and meretricious beauty. It should be noted that Gatsby is a son of God, the God of material love-Mammon. rather than an inverted Christ or God, Ga tsby is a kinky God one who is employ to the physical rather than the spiritual world. Gatsby has come to espouse the gospel of the corrupted American dream. His existence is founded on a lie, a delusion, and he term this monstrous lie Gods truth in relating to Nick his past.It is evident, even to Nick, that Gatsby is a self-deluded fraud living in a world of shams. His lie especially reflects his materialism. He is Mammon resurrected by the hedonism of the 1920s. Fitzgerald introduces a championshiping image for the Mammonism of Gatsby in the definition of his house which serves, among other things, as the temple of his Philistinism. The description about Gatsbys home has overtones of Babel with its tower when viewed in the content that it is inhabited by people who never knew each others name. The beauty of this image of Gatsbys house is that it is a dual one. It seems that Fitzgerald has created a twentieth-century replica-a factual imitation-of Miltons Pandemonium. The imag e is further solidified in that Mammon was its chief architect and builder. The lights that grace the mansion, the expensiveness of its appointments, the sumptuousness of its library, all contribute to this image. Fitzgerald appears deliberately to contribute to the God-like image of Gatsby by deny him from the novel, while surrounding him with an aura of myth.Some believe him to have been a bifurcate spy during the war, others that he once killed a man, while some see him as a criminal lord of the underworld, dealing in shameful liquor, among other things. A principal image in The Great Gatsby is the valley of ashes, presided over by the ubiquitous Dr. T. J. Eckleburg. This wasteland lies between West Egg and New York City. Several interpretations have been offered as explanations of this scene. There are similarities between the eyes of Dr. Eckleburg and Fitzgeralds description of the anonymous schnozzle eye. It is Owl Eyes who murmurs the pean of The poor son-of-a-bitch at G atsbys grave.William Goldhurst believes that Dr. Eckleburgs charge in the novel is to symbolize some implacable deity. This has credence, for George Wilson, Myrtles husband, refers to Dr. Eckleburg as the eyes of God. God sees everything But what of the valley of ashes itself? One amateur has noted that Fitzgerald may have had the Valley of Hinnon in mind when he created the valley of ashes. Hinnon is the Old Testament name for the city wasteyard right(prenominal) the walls of Jerusalem. Since fertile, it was defiled by the worship of treacherously god ant turned into ashes by God in his wrath. This analysis resolves the relationship between Dr.Eckleburg, the valley of ashes and Gatsby. The valley of ashes is the result of Jay Gatsbys testament, the dust of a change American dream and like its biblical counterpart, it has its association with the worshiping of a false god, Mammon, actualise in his son, Gatsby. A contributing factor in this estimation of the role of Gatsby is provided by Meyer Wolfsheim. It is an often stated premise that it takes evil to recognize evil. We have just such an instance here. Wolfsheim claims to have made Gatsby, and refers to him as a man of fine breeding. Gatsby also has a perverted or mistaken sense of what constitutes character.He refers to Meyer Wolfsheim as a smart man and he also lauds Jordan Baker as a woman who wouldnt do anything that wasnt all right. Gatsbys gospel of hedonism is reflected in his house, speculative parties, clothing, roadster, and particularly in his blatant wooing of another mans wife. Daisy, a rather soiled and cheapened figure, is Gatsbys ultimate goal in his concept of the American dream. However, he falls victim to his own preachings. He comes to believe himself omniscient above the restriction of society and morality. He will move on back Daisy by recapturing the past.Gatsby is going to achieve his ends through cut back materialistic means, through the power that he thinks he commands f rom his wealth. It is at the remnant of Gatsby that Fitzgerald becomes formulistic and orthodox in his symbolism. The jilted and soon to be betrayed Gatsby stands alone under Daisys window, keeping a vain vigil over his shattered dream. The following afternoon, Gatsby, with the help of his chauffeur, fills his pneumatic mattress and starts for his swimming-pool. Shortly thereafter, the chauffeur hears the shots, blast by an ashen fantastic figure and Gatsby lies dead, a victim of his own wild aspirations.The passion and crucifixion imagery is mayhap too ostensible here however, it does have its desired effect, because it casts Gatsby in the role of a rejected messianic figure through its Biblical illusion. He had come unrecorded to us, delivered all of a sudden from the womb of his purposeless splendour, only to fail in his mission. Jay Gatsbys eulogy is spoken by Owl Eyes. Gatsby was the bastard of a luxurious age, spawned by it and killed by it. Nick, at one point, surmise d his imagination had never really genuinehis parents at all. The sole repository to the world of Gatsbys ministry is that gigantic incoherent failure of a house that he left behind. And his epitaph on this monument is an obscene word, scribbled in chalk, by some neighbourhood boy. As a prophet of the American dream, Gatsby fails miserably a victim of his own distort idealism and false set of values. The American dream is not to be reality, in that it no longer exists, except in the minds of men like Gatsby, whom it destroys in their espousal and relentless pursuit of it. The American dream is, in reality, a nightmare.Great GatsbyGatsby The False prophet of the American Dream The American dream, or myth, is an ever recurring theme in American literature, dating back to some of the earliest colonial writings. Briefly defined it is the belief, that every man, whatever his origins, may pursue and attain his chosen goals, be they political, monetary, or social. It is the literary expression of the concept of America the land of opportunity. F. Scott Fitzgerald has come to be associated with the concept of the American dream more so than any other writer of the country.In fact, the American dream has been for Fitzgerald what the theme of the separate peace has been for Earnest Hemingway the focal point or building block for much, if not all, of his work. However, Fitzgeralds unique expression of the American dream lacks the optimism, the sense of fulfilment, so evident in the expressions of his predecessors. Cast in the framework of the metaphor, the aforementioned exponents of the American dream were Old Testament prophets predicting the coming of the golden age, complete with a messiah who was to be epitome of the word American. Gatsby is Fitzgeralds answer.To Fitzgerald the long prophesied American dream had its fulfillment in the orgiastic post World War I period was known as The Roaring Twenties. He was the self-appointed spokesman for the Jazz Age, the term he takes credit for coining, and he gave it its arch-high priest and prophet, Jay Gatsby, in his novel The Great Gatsby. Gatsby is aptly suited for the role of arch-high priest because he is the persona and chief practitioner of the hedonism that marked this period. He is also its unwritting prophet, for his failure and destruction serve as a portent for the passing away of an era.The suggestion that The Great Gatsby may contain religious implications is not a new idea. Bernard Tanner sees it as a Jazz Parody, The Gospel of Gatsby. Gatsby is characterized as an inverted Christ in this drama, and the rest of the dramatis personae are neatly fitted in, perhaps too neatly, to this allegorical framework. To wit Nick Carraway is Nicodemus, the Pharisee Dan Cody is St. John the Baptist with his femme fatale , Salome, in the guise of Ella Kaye and Meyer Wolfsheim is St. Peter complete with three denials.These characters, plus others, act out their parts in the gospel, carrying out such events as the marriage feast at Cana, various parables, Judas betrayal, and Christs crucifixion. A. E. Dyson maintains, that Dr. T. J. Eckleburg is the only religious reference in this novel. Roger L. Pearson doesnt agree with these two interpretations. He believes that Fitzgerlad is much like Hemingway in his symbolic technique in The Great Gatsby, in that he projects a series of variations in his imagery so as to achieve a cumulative effect.Fitzgerald becomes at times orthodox and formulistic to a degree in this novel. However, he achieves a totality of expression by introducing motifs that give the reader a slightly differing perspective of Gatsby, while always moving in a specific direction. Hence, Gatsby is no shallow stereotype. Instead, he has depth and complexity. There is a religious design in The Great Gatsby, and it has its basis in Jay Gatsby himself. Nick Carraway, the narrator and interpreter of the novel, describes Gatsby thus The truth was that Jay Gatsby of We st Egg, Long Island, sprang from his Platonic conception of himself.He was a son of God-a phrase which, if it means anything, means just that-and he must be about His Fathers business, the service of a vast, vulgar, and meretricious beauty. It should be noted that Gatsby is a son of God, the God of material love-Mammon. Rather than an inverted Christ or God, Gatsby is a perverted God one who is dedicated to the physical rather than the spiritual world. Gatsby has come to espouse the gospel of the corrupted American dream. His existence is founded on a lie, a delusion, and he terms this monstrous lie Gods truth in relating to Nick his past.It is evident, even to Nick, that Gatsby is a self-deluded fraud living in a world of shams. His lie especially reflects his materialism. He is Mammon resurrected by the hedonism of the 1920s. Fitzgerald introduces a nourishing image for the Mammonism of Gatsby in the description of his house which serves, among other things, as the temple of his Philistinism. The description about Gatsbys home has overtones of Babel with its tower when viewed in the content that it is inhabited by people who never knew each others name. The beauty of this image of Gatsbys house is that it is a dual one. It seems that Fitzgerald has created a twentieth-century replica-a factual imitation-of Miltons Pandemonium. The image is further solidified in that Mammon was its chief architect and builder. The lights that decorate the mansion, the expensiveness of its appointments, the opulence of its library, all contribute to this image. Fitzgerald appears deliberately to contribute to the God-like image of Gatsby by withholding him from the novel, while surrounding him with an aura of myth.Some believe him to have been a double spy during the war, others that he once killed a man, while some see him as a criminal lord of the underworld, dealing in bootleg liquor, among other things. A principal image in The Great Gatsby is the valley of ashes, preside d over by the ubiquitous Dr. T. J. Eckleburg. This wasteland lies between West Egg and New York City. Several interpretations have been offered as explanations of this scene. There are similarities between the eyes of Dr. Eckleburg and Fitzgeralds description of the anonymous Owl Eyes. It is Owl Eyes who murmurs the eulogy of The poor son-of-a-bitch at Gatsbys grave.William Goldhurst believes that Dr. Eckleburgs presence in the novel is to symbolize some implacable deity. This has credence, for George Wilson, Myrtles husband, refers to Dr. Eckleburg as the eyes of God. God sees everything But what of the valley of ashes itself? One critic has noted that Fitzgerald may have had the Valley of Hinnon in mind when he created the valley of ashes. Hinnon is the Old Testament name for the city dump outside the walls of Jerusalem. Since fertile, it was defiled by the worship of false god ant turned into ashes by God in his wrath. This analysis resolves the relationship between Dr.Eckleburg, the valley of ashes and Gatsby. The valley of ashes is the result of Jay Gatsbys testament, the dust of a perverted American dream and like its biblical counterpart, it has its association with the worshiping of a false god, Mammon, incarnate in his son, Gatsby. A contributing factor in this assessment of the role of Gatsby is provided by Meyer Wolfsheim. It is an often stated premise that it takes evil to recognize evil. We have just such an instance here. Wolfsheim claims to have made Gatsby, and refers to him as a man of fine breeding. Gatsby also has a perverted or mistaken sense of what constitutes character.He refers to Meyer Wolfsheim as a smart man and he also lauds Jordan Baker as a woman who wouldnt do anything that wasnt all right. Gatsbys gospel of hedonism is reflected in his house, wild parties, clothing, roadster, and particularly in his blatant wooing of another mans wife. Daisy, a rather soiled and cheapened figure, is Gatsbys ultimate goal in his concept of the Am erican dream. However, he falls victim to his own preachings. He comes to believe himself omniscient above the restriction of society and morality. He will win back Daisy by recapturing the past.Gatsby is going to achieve his ends through sheer materialistic means, through the power that he thinks he commands from his wealth. It is at the death of Gatsby that Fitzgerald becomes formulistic and orthodox in his symbolism. The rejected and soon to be betrayed Gatsby stands alone under Daisys window, keeping a vain vigil over his shattered dream. The following afternoon, Gatsby, with the help of his chauffeur, fills his pneumatic mattress and starts for his swimming-pool. Shortly thereafter, the chauffeur hears the shots, fired by an ashen fantastic figure and Gatsby lies dead, a victim of his own absurd aspirations.The passion and crucifixion imagery is perhaps too unmistakable here however, it does have its desired effect, because it casts Gatsby in the role of a rejected messianic f igure through its Biblical illusion. He had come alive to us, delivered suddenly from the womb of his purposeless splendour, only to fail in his mission. Jay Gatsbys eulogy is spoken by Owl Eyes. Gatsby was the bastard of a hedonistic age, spawned by it and killed by it. Nick, at one point, surmised his imagination had never really acceptedhis parents at all. The sole monument to the world of Gatsbys ministry is that huge incoherent failure of a house that he left behind. And his epitaph on this monument is an obscene word, scribbled in chalk, by some neighbourhood boy. As a prophet of the American dream, Gatsby fails miserably a victim of his own warped idealism and false set of values. The American dream is not to be reality, in that it no longer exists, except in the minds of men like Gatsby, whom it destroys in their espousal and relentless pursuit of it. The American dream is, in reality, a nightmare.Great GatsbyGreat Gatsbygreat gatsby Character sort Consequences Jay Gat sby He had a overzealous need forHe lost daisy because of his forwardness for money money and would sacrifice anything to get it Daisy Buchanan Never attached her self to Lost Gatsbys love anyone or anything Tom Buchanan Very barbarian and bossy.Expects Marriage issues/ Selfish people to jump through hoops for him Jordan Baker Falls for another guy Nick leaves and never returns Myrtle Wilson unbalanced in wanting to She uses adultery to try and enhance her life rectify her dull life George Wilson Lifeless and not in any way Kills Gatsby and then himself motivated Part II The Great Gatsby The American Dream In your opinion, what is The American Dream? I think that the American Dream is to be successful in life.Everyone has goals that they set for themselves and some get achieved and some dont. In my opinion being successful is having a family, working in a career that you love, and just living life to the fullest. match to the media, advertisemen ts, salaries, and society in general, what is The American Dream? How does this compare to your definition of The American Dream? List at least five elements that make up Jay Gatsbys American Dream. On the chart For each of the five elements you listed in question 3, consider what is wrongly with either Gatsbys concept of the dream or the way he attempts to attain it.On the chart As you read the novel, copy down a specific quotation or quotations that most relate to the concept of the American Dream as it is presented in the novel. Thats my Middle West . . . the street lamps and sleigh bells in the frosty dark. . . . I see now that this has been a story of the West, after allTom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly inadaptable to Eastern life. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but thats no pointtomorro w we will run faster, stretch out our arms farther. . . And then one fine morning So we beat on, boats a peest the current, borne back unendingly into the past. Elements That Make Up Jay Gatsbys American Dream What is Wrong With Gatsbys Concept of the Dream or The Way He Attempts to Attain It 1.Daisy loving him There is a huge difference in their social classes, so when he tries to win her over he starts doing illegal stuff to make money to yarn-dye her and keep up with her materialistic lifestyle 2. Popularity In order to gain popularity he thought that he needed to be wealthy. He had the wrong idea as to how to become popular. 3. Wealth/ Money He became a criminal because of his greed for money. He illegally trafficked drugs/ alcohol 4. Doesnt want to face reality In Gatsbys eyes Daisy had no flaws but in reality she had many but he didnt want to face the facts about her 5. His loyalty to Daisy He lied to Daisy about many things, so she didnt see hi m for who he truly was Part tierce Understanding the Historical Context and Setting of the Novel F.Scott Fitzgeralds novel The Great Gatsby is a specific portrait of American society during the Roaring Twenties. In this part of the assignment you will explore the connection between report and literature. Begin your exploration by visiting the following resources Kingwood College library The Media History Project Timeline Review the major people, places, and events in The Arts, News & Politics, Science, Business, decree and Sports. As you review these resources, think about how they illuminate your understanding of The Great Gatsby. After researching the 1920s, respond to the following statement in an essay, either agreeing or disagreeing. Your essay should be at least four paragraphs in duration (minimum of six sentences in each paragraph). The beauty and splendor of Gatsbys parties masked the congenital corruption within the heart of the Roaring Twenties. Jazz-Age society was a fall apart world, detached of morality, and plagued by a crisis of character. If you agree with this statement, you must find specific support from both the novel and from history to support your view. If you disagree with this statement, you must find specific support from both the novel and from history to support your view. Paragraph 1 Find a quotation from the novel or pose a question to begin your essay. Introduce your thesis statement. Do you agree or disagree with the statement? Why? Paragraph 2 Discuss at least five references to people, places, and events in the 1920s as specific support for your thesis.For example, you might include a discussion of Prohibition, Gangsters, the subscriber line Market, and Fads if you agree with the statement. If you disagree, you might discuss Technological or Scientific Advances, affectionate Reforms, Literature, Music, and Inventors or Inventions. Paragraph 3 How do the characters, plot, and theme of The Great Gatsby support or refute the statement that the Jazz-Age society was a bankrupt world, devoid of morality, and plagued by a crisis of character? Use specific details and lines from the novel to support your view. Paragraph 4 Develop a conclusion that reflects on the evidence from history and the novel that supports your thesis.